2 in B minor, and containing the first theme of the final movement of Paganini's Violin Concerto No. 1 in E ♭ major. 3 in A ♭ minor (Allegro moderato) – after the final movement of Paganini's Violin Concerto No. Contains many rapid scales and octaves and requires elegance and quality of tone. 2 in E ♭ major (Andantino capricciosamente) – after Caprice No. Voicing and dynamics are important in "Tremolo", and adding to its difficulty is the fact that many tremolos are marked to be played by the left hand only. Begins with a prelude of rapid arpeggios and scales and then enters the main étude section as the name suggests, the piece is meant to employ tremolos. 1 in G minor (Preludio: Andante Non troppo lento, cantabile) ("Tremolo") – after Paganini's 24 Caprices for Solo Violin No. The pieces run the gamut of technical hurdles, and frequently require very large stretches by the performer of an eleventh (although all stretches greater than a tenth were removed from the revised versions). The pieces are all based on the compositions of Niccolò Paganini for violin, and are among the most technically demanding pieces in the piano literature (especially the original versions, before Liszt revised them, thinning the textures and removing some of the more outrageous technical difficulties). It is almost exclusively in the final version that these pieces are played today. 141, are a series of six études for the piano by Franz Liszt, revised in 1851 from an earlier version (published as Études d'exécution transcendante d'après Paganini, S. Six piano études by Franz Liszt from themes of Paganini
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |